Sorry Nature, Brian Strang

ARTWORK, MUSIC AND WRITING. contact: @crowcrashradio

Thursday, November 28, 2019

Apostles

hand-drawn digital pen and gouache

Ashen Daughter

hand-drawn digital pen and gouache

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Brian Strang: Brian Strang's paintings, which all contain written poetic text, have been exhibited many times over the last decade in solo and group shows, have been republished in magazines and currently reside in many private collections. He lives in East Oakland and teaches English at San Francisco State University. His most recent poetry collection, Dark Adapt, is available at Duration Press. His artwork, poems, reviews, essays and translations have appeared in many journals including New American Writing, Five Fingers Review, The Denver Quarterly and Caliban. He played guitar in Crow Crash Radio. (2011-2021). IG @crowcrashradio

ARE YOU AFRAID? e-book at Duration Press
Review of ARE YOU AFRAID? in POETRY FLASH
DARK ADAPT e-book at Duration Press
MACHINATIONS e-book at Duration Press
The Astonished Vowel and the Number of Wonder: On Andrew Joron's O0 at Big Other
"after the war" in Blazing Stadium #23
"equate equus equinox" at Blazing Stadium #14
“Everything is True” and “Circle of Oaks” at Blazing Stadium #4
THE INFINITE INFANT in Seedings #5
INCRETION
Review of INCRETION
Reading at Canessa Park Gallery (2008) with Valerie Witt and Brian Lucas, introduction by Tiff Dressen
Four drawings at WORD FOR/WORD #32
"The Wasp" in Caliban #22 (p. 9-11 and 129)
Caliban #1 (p. 40-41 and 112
Four drawings at WORD FOR/WORD #19
Denver Quarterly featuring my review of Andrew Joron's THE CRY AT ZERO
Verse Magazine Online featuring my review of Garrett Caples' COMPLICATIONS
Cover of WORD FOR/WORD #12
Translations of Ruy Ventura's Work at WORD FOR/WORD #12
Poem/ Paintings in WORD FOR/WORD #12
Translation of Ruy Ventura's Work at Alice Blue
Voice Box (with my Reading at Pegasus 4/29)
“aphotic” and “cave” at Free Verse
"not asking" at Moria
“swimming” “visible code” and “the eye” at Word For/Word #10
“blood motel” and “the confines” at alice blue
"the kingdom" at Narrativity
"Presence and Permeability" my review of Kit Robinson's DEMOCRACY BOULEVARD in Aufgabe 1, Litmus Press

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